Thomas Bowar Photography

Photographic musings

Sunday, December 6, 2009

My Friend the Artist

On Thursday, I had the privilege of helping a friend with a first ever exhibition of his photography. Bob Cunningham has done commercial, wedding and portrait photography for 40-some years. For the last 8 or 9 years, we’ve done many projects and weddings together.

As we were getting ready for the exhibit a few days before, I think we both thought of this as a nice marketing tool to get some more exposure for Bob’s artistic work.

Bob Cunningham photography exhibit

But as the evening went on, I realized that this was more than a marketing opportunity for Bob; this was a chance for his friends and family see a body of creative work that has come from a lifetime of passion for his art.

Many of Bob’s friends who came had not seen most of this work. I stood next to someone while watching the slideshow of Bob’s pictures, and heard this person repeatedly gasp and say “look at that!” Even one of his sons who came said that there was a lot of work that he had not seen before. It was gratifying to see the recognition Bob received.

I’m glad to be able to work side by side with this artist and call him my friend. Congratulations on the great show Bob!

Click on the picture above to see more pictures from the exhibition.

Click on Bob’s website and Flickr site links on the right to see Bob’s work.

posted by Tom Bowar at 8:23 am  

Saturday, October 24, 2009

Gearing up for more business

Hey folks, long time since I’ve posted here, but I want to let you know about a few things.

First, I am launching a new campaign to stir up a little business. I will be pushing myself to shoot more weddings, both individually and in partnership with Bob Cunningham.

So, to start with, I am offering a $50 referral fee to anyone who refers a couple to me, when they book a wedding with me!

Second, I will be posting here more often, as well as other places. It’s been too long, but I’m just about finished formulating how I can do this more efficiently, so I can do it without spending so much time as it used to take me. More to come on that later.

Third, look for other changes to my web site, as well as Bob’s. Gotta keep this site more dynamic and fresh.

posted by Tom Bowar at 6:34 pm  

Monday, May 19, 2008

Finally, a new web site

After hemming and hawing for the last 3 or 4 years about my web site, and specifically how ugly it was, I was inspired by a DJ I met to get a nice flash template for my web site. I don’t know why this seemed so difficult before.

In any case, it’s up and running. Not finished (it should never be finished), but a good start.

I hope you enjoy it: Thomas Bowar Photography.

posted by Tom Bowar at 9:23 pm  

Saturday, October 20, 2007

Kodak Fights Back

I ran across this video at one of my favorite photography sites, Strobist.

What a great way of showing that they can both acknowledge mistakes and go forward with technology! For years Kodak was THE photography company. They made cameras, film and the chemical process to develop and print the pictures we produced. They were the premier film, chemical and print paper manufacturers in the world. Most professionals would not use anything else. When I got into photography, I was like everyone else in America. I started out with a Kodak Instamatic 134 camera as a kid.When I was in high school I took a photography class, learned how to shoot pictures with a 35mm camera using Kodak Plus-X and Tri-X black and white film, developed that film with Kodak D-76 developer, stop bath and fixer, then printed the pictures on Kodak paper developed with Kodak Dektol developer, stop bath and fixer. Everything but the camera was Kodak.When I shot my pictures in my early years I usually used Kodacolor negative print film, but I began to love landscape photography. What I didn’t know in those early years was what most professional photographers did know: To get great color for those landscape shots, I should be using slide film. But not the standard Ektachrome that used a relatively simple E6 development process, but rather the more expensive but richly colored Kodachrome.

Kodachrome was known for not only rich true to life colors but it’s archival qualities. It was the main film used by National Geographic photographers for color photography when I was reading it back in the 60s, 70s and 80s. Paul Simon even wrote a song about it.

In the late 70s, things began to change. Fujifilm, a Japanese photographic film and equipment company came up with a new film that had brighter and more saturated colors than Kodachrome, called Velvia. This new film had very fine grain and the colors, although too saturated for some subjects like people, were perfect for landscape and nature photos because of the deeply saturated reproduction of greens and reds. National Geographic photographers (as well as the growing numbers of pro and amateur nature photographers) began to turn to Fuji for there film. Fuji also made their own commercial print processing equipment, chemicals, paper, etc. Kodak had a major rival.

In the 90s digital photography became a viable consumer option. By the turn of the century, photography was turned on it’s head. Film photographers were oftem caught by surprise and it seemed Kodak was too. I think that many thought this transition to digital was going to be a long slow process. But it happened almost overnight.

I remember thinking at some point that I would really like to set up a darkroom in the basement, but I just didn’t have the time or money to make it all happen, although I did buy some chemicals and tanks for developing black and white film. But then I went from trying to decide what film camera or accessories to buy to virtually dumping all of my film equipment for digital in just a few short months. As soon as I saw the potential for digital, I not only bought a digital camera, but I started a part time business, because I knew that for the first time I could shoot on speculation and make money.

I thought Kodak would go out of business, being seemingly caught by surprise. But this video is a nice testament to their resolve to stick around.

I miss the good old days of film sometimes. There was something nice about the simplicity of a totally manual film camera. You loaded the film, set the camera according to your knowledge of understanding of light and exposure (and the light meter), and exposed that one frame of film. Wind the film, and you’re ready for the next exposure. I liked the tactile feedback, the organic nature of it. Ah, the good old days.

posted by Tom Bowar at 2:33 pm  

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